Why Not All Prologues Are Evil (And How to Write A Good One)

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Prologues should be like John the Baptist. Awesome, intriguing, paving the way for an even greater written work.

But most of the time they aren't. They're more like those dreaded "Previously on" pieces of dialogue that come before a TV show that you usually end up forwarding through.

Prologues have accumulated a lot of hate over the years. People say they're too boring. They're info dumping. They're not necessary, they're too long, they're too short, they're outdated, annoying, they lower your chances of publication by 394%.

Pffft. You're not actually going to listen to those fools, are you? I bet they're the same people who laughed at Edison and said that the Guardians of the Galaxy was going to be stupid.

Title: "Why note all prologues are evil (and how to write a good one)." Stack of blue, yellow, and orange books, with the link "FayeFite.com" in the spine of the bottom book.


Allow me to explain to you all of the brilliant things about prologues:

  1. They set the mood and background of the story. It allows you to set the mood and the style of your world, people, society, conflict, etc by giving information in a way that is different from what you could have done with just a chapter. If you don't go overkill and drown your reader in backstory, this is a great capability to have.

  2. They allow you to write from a different time period. You can set your prologue several years in the past, which is not as easy to do if your opening pages are within a chapter. This can help you set the stage.

  3. They allow you to write from a different point of view. This lends a flexibility to the story, as it allows you to tell what is going on in a place (or a character's head) that is not generally accessible when using another POV.

  4. They can tease the reader into the story. You can showcase your awesome style, give bits and pieces of your world away, and show your readers glances of the coming plot and conflict. Prologues are a great way to build tension and understanding of the story right out of the gate.

I personally have always loved a good prologue. If you're thinking of using one in your book, or perhaps already have one but are thinking of backing out because of all of the stigma surrounding them, then you're in the right place. I don't care if everybody is looking at something in your story and screaming:

I don't care if it's not popular. All that matters to me is whether of not it can make a good story. Prologues can and do. So don't listen to the naysayers. Follow me. I can show you the ways of the prologue, and how to craft one that readers will enjoy:

1. Ask yourself whether you need it. Is this prologue necessary? What are you going to use it for? Is it something that can't be placed in chapter form (or sprinkled throughout several chapters) in a pleasing manner? Make sure you need it. Once you have decided that your book needs it, then it doesn't matter if the publishing and writing industry is telling you to change, to move your prologue to the trash. It is your duty to plant yourself like a tree, look them in the eye and say, no. You move.

2. Decide exactly what it is you need in your prologue before writing. Do not sit down at that keyboard before having chosen exactly what information it is you are going to put in your prologue. It needs to be relevant to the story, it needs to be interesting, and it needs to make your readers care. So keep your information concise, clear, and cool. Alliterations are optional.

3. Remember that your prologue can have dialogue. I'm not sure why this is, but many prologues are utterly void of dialogue. They don't have to be. In fact, dialogue can keep your prologue from being one of those scary blocks of text with very few spaces. Just keep the dialogue natural and allow it to have subtleties and nuances.

4. Try to keep it short. Traditionally, prologues are kept under five pages. If your prologue is extremely long, people may get bored and wonder when the "real story" begins. Also, if it's long it's possible that you are info-dumping, which is a massive no. So try to keep it brief. If you need it longer and know you can do it without being boring or monologuing or breaking tip #2, then okay. I will cheer you on.

5. Don't be afraid to write it from your villain's POV. Yep. I said it. You can open your book with a prologue, and you can open it from your villain's POV. Break two rules at once! Yay! Join the rebellion.
Think about it: It will help with your villain's complexity and it's a good way to convey tension and the conflict to come. I'm not saying you need to open your book with your villain, but if you feel so inclined, then full speed ahead!

6. Don't you dare info dump. Don't even think about it. If you do, you will become part of the group of writers who are responsible for all of the prologue-haters out there. You will make the lives of us good-prologue-writers infinitely more difficult. Nobody will publish your book, nobody will read it. You will be rejected by your readers, the publishing industry, your fellow writers who you've made life hard for. We will hunt you down and drive you out. You will find yourself huddled beneath a bridge, coffee-less and wifi-less and cursing your stupidity. Sounds bad, right? That's because it is. So don't info dump. Thank you.

7. Pull out all the stops. You know how you read about the importance of writing a really, really good first chapter? The same rule applies to prologues, only multiplied by ten. Because prologues are considered bad, you need to do everything in your power to prove that wrong. Write beautifully. Be intriguing. Craft your prologue with flair.

Make ever sentence necessary, make every paragraph flow, make the prologue your masterpiece.

8. Go watch some movies and read a good prologue. Prologues are abundant in movies, and many of them are very well done. Marvel does some darn good prologues, as did The Fellowship of the Ring, The Dark Knight, Fiddler on the Roof, John Carter. Go study them, see what techniques are used, notice what works and what doesn't. Then try to apply that to your writing. You can also read some well-done prologues. My personal favorite is from The Name of the Wind. It's what made me fall in love with the book.

9. Write it as a prologue and title it Chapter 1. I know it seems weird, and it certainly doesn't work for every prologue. In fact, I'm not even recommending that most people do this. However, if it works with your book and if you're afraid of people skipping your prologue simply because it's titled "prologue," then it's worth a shot. This is what J.K. Rowling did in Harry Potter and the Sorcerer's Stone. Don't believe me? Go read it. It is 100% a prologue: It takes place years before the story begins, gives valuable background information, and is written from a different POV than the rest of the series. It is a chapter in name only. But it works. Test this idea out. If it fits, feel free to run with it. Your book. Your rules.

Prologues can be amazing. They can be beautiful and well-written and a wonderful set up for the rest of the book. Don't be afraid of them.

Still not sure if you should put a prologue in your story? Leave a comment below with questions, concerns, or your own tips for writing a killer prologue! And don't forget to tell me about some of the best prologues you've ever read!

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8 Tips for Writing a Solid Opening Line

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People are very judgmental.

And, as terrifying as it is, when people start reading your book, the first thing they will judge is that opening line. If they like it, they'll keep reading. If not? Well, your book will be rejected and will probably end up in some terrible place...like the unemployment line in Greenland. Or in a Vogon poetry-reading circle. Or Umbridge's office. Or...well, you get the point.

So how can you craft an opening line that will get people to keep reading your novel? Let me sum up:

1. Don't feel the need to write it first. Yeah, I know, I know. It's called an "opening line" because it's the first line. And "first" means the thing you do before anything else. Yeah. That's what you think. There is literally no reason to write your opening line first. Can't think of a good one? Just write something - anything - down and come back to it later. I've heard of writers who say they can't start writing their story because they can't figure out how to write their first paragraph. Don't do this. Just write the story. You can go back and edit the opening line whenever you feel like it. That's totally fine (and normal).

2. Don't just focus on the opening line. More like the opening paragraph. The reason the opening line is so important is that it sets the tone for the rest of the story. While the very first sentence can absolutely do that, it needs help from the rest of the paragraph. So yes, focus on the opening line, but make sure it has support from the opening paragraph.

3. Decide what you want the opening line to showcase. The opening line makes a statement about the story. It can set the mood, introduce a character, establish the writing style, or a mix of these things. So ask yourself: What is the main focus of this story? What makes it special and different? What makes it worth reading? If it's your writing style, you want to make sure your writing style is well-reflected in your opening line. If your protagonist is the main attraction, that first sentence should showcase them. If the mood of the story is interesting or if the plot hinges on a philosophical question, put that front and center. You want your reader to know exactly what they're getting into.

4. Remember that there are no rules. Don't feel that you need to follow any type of opening line formula. There is no such thing. You can open with dialogue. You can open with description, or action, or exposition. You can even start with a fragmented sentence or an unfinished thought. And yes, your opening line can be a single word. You can even open with a profanity (as proven by The Martian by Andy Weir). You are an author. There are no strings on you. Write how you want to write.

5. Write a ton of opening lines. Experiment! Write down dozens of opening lines if you have to. Piece them each into your opening page. Some opening lines sound good by themselves, but don't fit into the story. Some aren't particularly stunning by themselves, but make a stellar opening paragraph. Play around and see which one suits your fancy.

6. Study other opening lines. There are so, so many good ones. Read them and notice what it is that makes them good. A few that I've always enjoyed:

"It was a pleasure to burn." Fahrenheit 451 by Ray Bradbury. This is a "statement opening line." It makes a statement that immediately makes you wonder. Burn what? Why is it a pleasure? What is going on? It draws you in, sets the mood for the story, and establishes an important plot point (book burning).

"It was night again. The Waystone Inn lay in silence, and it was a silence of three parts." The Name of the Wind by Patrick Rothfuss. The first sentence isn't much on its own, but that second one? Brilliant. It establishes Rothfuss's writing style and feeds into something that is a recurring theme in the novel: Silence. It also introduces the setting (nighttime at the Waystone Inn) in an intriguing way.

"I am a sick man...I am a spiteful man." Notes from Underground by Fyodor Dostoevsky. Dostoevsky jumps right in and tells us exactly who the main character is: Spiteful, sick, but brutally honest. Why is he sick? Why is he spiteful? We don't know, but we want to find out now, don't we?

"People do not give it credence that a fourteen-year-old girl could leave home and go off in the wintertime to avenge her father's blood but it did not seem so strange then, although I will say it did not happen every day." True Grit by Charles Portis. A long opening line, but a good one. We immediately get a sense of the plot (avenging a father's death), the main character's voice (no-nonsense, well-educated), and even a bit of the time period (definitely not modern).

You'll notice that good opening lines always establish at least one thing about the story, but each opening line does it differently. The more opening lines you read, the more ideas you will get for your own. So go to a bookstore and just start pulling random books off the shelves to see what interesting new techniques lay within their pages.


7. Remember: Friends don't lie. Your readers are your friends, so be honest with them. You opening line should not misrepresent your plot or writing style in an attempt to draw people in. That hurts everyone involved. For example: Let's say somebody presents you with a really excellent looking brownie. But it's not until after you take a bite that they explain that it's gluten-free and dairy-free, and made of avocados. It may be an excellent gluten-and-dairy-free avocado brownie, but it wasn't what you were expecting, so it probably won't taste good to you. It's the same with books. If your opening line or paragraph makes a misleading statement, your readers will feel betrayed. Unless your story has an unreliable narrator, try to avoid this.

8. Don't panic. Some of my favorite books start out with entirely unremarkable opening lines. They're not bad opening lines per say, but they're nothing that you would end up quoting. That's fine. As long as you opening paragraph or two are interesting, you'll do just fine. You don't want to focus so much on the first sentence(s) that you forget to make the other parts of your book good, too.

What are some of your favorite opening lines? Do you have any questions, tips, or tricks you'd like to share? I'd love to hear what you have to say!

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